A collage--the foreground is a picture of two men working on an airplane engine, and the background is a a map of Southeast Asia

November 13, 2019 — David Biggs, “Archipelagic Vietnam: Rethinking Nationalism From the Shoreline”

Until recent conflicts over islands in the South China Sea, Vietnam’s history was described in terrestrial terms. Vietnam’s nationalist struggles, we were told, involved epic battles with American and other troops in highland jungles and city streets; and the nation’s territorial expansion from Hanoi happened in two directions: southward and uphill. The sea, as so many history books taught, was a nothing space where foreign invasions began. Vietnam’s geo-body was tied to a Westphalian notion of sovereignty reified in so many books and maps. Real sovereignty in Vietnam, however, was and still is relational. Topologies of trade, commerce, migration and communication have for centuries defined where “Vietnam” begins and so many other cultures and ecologies taper off. Rather than assume a closed model, this talk reimagines Vietnam as an archipelago, a more permeable nation-system of nodes linked by flows of energy, food, people and technology moving from the sea to the mountains and spaces beyond. Drawing from his recently published book, Footprints of War: Militarized Landscapes in Vietnam (Washington, 2018), environmental historian David Biggs conducts an archipelagic history tour along Vietnam’s central coast with stops in the ancient, early modern, colonial and post-colonial past.

David Biggs is a Professor of History at the University of California, Riverside, specializing in twentieth century environmental history with an area focus on Vietnam and Southeast Asia. His first book, Quagmire: Nation-Building and Nature, won the 2011 George Perkins Marsh Prize in Environmental History; and his essays have appeared in such venues as the Journal of Asian Studies, Technology and Culture and the New York Times. He is currently working on a trans-Pacific history of the mid-twentieth century.

Date/Time
November 13, 2019 | 12:00 PM
Free and open to the public

Venue/Location
In solidarity with the UC-wide AFSCME strike November 13, David Biggs’ colloquium talk will be held off campus. Please R.S.V.P. by noon on Tuesday, November 12 to receive the address.

Co-sponsored by the Center for Southeast Asian Coastal Interactions

Black and white photo from theGomantak Maratha Samaj Archives, Mumbai of a seated person wearing Indian clothing

November 20, 2019 — Anjali Arondekar, “What More Remains: Sexuality, Slavery, Historiography”

This talk engages a ‘small’ history of sexuality and slavery in Portuguese India. At stake are three questions: How do we call attention to the displacement of slave pasts within histories of sexuality that are themselves routinely displaced?  How do we locate those displacements in itinerant archives of profit and pleasure, than in archives of loss and trauma? How do we open a dialogue between the interdisciplinary fields of area studies and sexuality studies with an eye to understanding how histories of slavery can reshape, even devastate, these very field-formations? 

Anjali Arondekar is Associate Professor of Feminist Studies, UCSC. Her research engages the poetics and politics of sexuality, colonialism and historiography, with a focus on South Asia. She is the author of For the Record: On Sexuality and the Colonial Archive in India (Duke University Press, 2009, Orient Blackswan, India, 2010), winner of the Alan Bray Memorial Book Award for best book in lesbian, gay, or queer studies in literature and cultural studies, Modern Language Association (MLA), 2010. She is co-editor (with Geeta Patel) of “Area Impossible: The Geopolitics of Queer Studies,” GLQ: A Journal of Lesbian and Gay Studies (2016). Her talk is an excerpt from her forthcoming book, Abundance: On Sexuality and Historiography.

Date/Time
November 20, 2019 | 12:00 PM
Free and open to the public

Venue/Location
Humanities Building 1, Room 210
University of California, Santa Cruz

Photo of Ronaldo Wilson seated at a table. He is looking away from the camera, and his elbow is resting on the table.

December 4, 2019 — Ronaldo Wilson, “The Quotidian Lucy and Other Constructions”

“The Quotidian Lucy and Other Constructions” explores some recent site-specific and studio performances (written/visual/sonic) that serve as interventions between theory and practice.  Discussing new works on paper, video, and in performance, Wilson seeks to inhabit and engage with questions of memory, genre, form, and discipline as strategies through which to examine race, sex, and desire in concert with what vocabularies emerge and accrete in rendering multiple drafts of the self through poetic persona, character, and movement. 

Ronaldo V. Wilson, PhD is the author of four collections: Narrative of the Life of the Brown Boy and the White Man, Poems of the Black Object, Farther Traveler: Poetry, Prose, Other, and Lucy 72. The recipient of fellowships from Cave Canem, the Djerassi Resident Artists Program, the Ford Foundation, Kundiman, MacDowell, the National Research Council, the Provincetown Fine Arts Work Center, the Center for Art and Thought, and Yaddo, Wilson is an interdisciplinary artist, who has performed in multiple venues, including the Pulitzer Arts Foundation, UC Riverside’s Artsblock, Louisiana State University’s Digital Media Center Theater, Georgetown’s Lannan Center, Southern Exposure Gallery, and Casa Victoria Ocampo in Buenos Aires. He is Professor of Creative Writing and Literature at U.C. Santa Cruz.

Date/Time
December 4, 2019 | 12:00 PM
Free and open to the public

Venue/Location
Humanities Building 1, Room 210
University of California, Santa Cruz

A photo of Elizabeth Marcus

April 10, 2019 — CANCELED — Elizabeth Marcus: “The Arrest of Ziad Doueiri and the Laws of Cultural Critique”

–CANCELED–

Dr. Marcus’ talk will be rescheduled to a later date. 

Elizabeth Marcus is a Mellon Fellow in the Scholars in the Humanities program for 2017-2019. She received her BA from the University of Oxford in Modern History and French, and completed her PhD in French and Comparative Literature at Columbia University in 2017. Her research and teaching focus on the francophone and Arab worlds, with a particular interest in knowledge production, cultural imperialism, and the histories of religious and minority groups. In her current book project, Difference and Dissidence: Cultural Politics and the End of Empire in Lebanon, she uses post-independence Lebanon as a case study of multilingualism and decolonization from below.

She is developing a second project on global intellectual history, international students and radical politics in post-war France. Recovering the history of the Cité internationale universitaire, an international university campus set on the outskirts of Paris, she looks at how it became a key physical and symbolic space for students, writers and intellectuals from the Middle East, Africa and Europe. Elizabeth has taught in the Core Curriculum at Columbia University and at MIT as a Visiting Assistant Professor in the Global Studies and Languages Department.

Date/Time

April 10, 2019 | 12:00 PM
Free and open to the public

Venue/Location

Humanities Building 1, Room 210
University of California, Santa Cruz

A photo of Professor Vanessa Ogle. She is facing the camera and standing in front of a large wooden door.

April 17, 2019 — Vanessa Ogle: “‘Funk Money’: Decolonization and the Expansion of Tax Havens, 1950s-1960”

This talk explores the emergence of modern offshore tax havens as a way to reopen the history of the decades ca. 1920s-1980s. During these decades an archipelago of distinct legal spaces appeared in a world otherwise increasingly dominated by more sizable nation-states. Tax havens were particularly important among these spaces, reaching from the Channel Islands, Monaco, and Luxembourg to the Bahamas, Panama, and Singapore, among many others. The talk asks why tax havens in particular expanded significantly between 1945 and 1965, and points to decolonization and colonial systems of taxation as one answer. It thus sheds light on a crucial period during which much of today’s tax avoidance industry got off the ground, with lasting implications for the rise of inequality in Europe and North America.

Vanessa Ogle is Associate Professor of modern European History at the University of California – Berkeley. She received her doctorate at Harvard in 2011.

Date/Time

April 17, 2019 | 12:00 PM
Free and open to the public

Venue/Location

Humanities Building 1, Room 210
University of California, Santa Cruz

A photo of Ahmed Kanna standing in front of a mosaic of a map of the Arab gulf.

April 24, 2019 — Ahmed Kanna: “De-Exceptionalizing the Arab Gulf: Bringing Back Class Struggle & Social Reproduction”

Discourses of urban knowledge professionals (architects, PR professionals, etc.) on the Arab Gulf city have framed this city as an “laboratory,” a “sci-fi” space, and generally have disconnected the space from its social and historical contexts. In this paper I argue that a Marxist or class struggle perspective can best highlight how such discourses promote imperial and capitalist class power in the Gulf. Through combining this framework with a postcolonial discursive critique and feminist scholarship on social reproduction, a class struggle perspective both moves us beyond victimization discourses of Gulf labor and highlights global patterns of capitalist accumulation. In turn, the paper shows how the Gulf is an unexceptional zone of capital accumulation with labor exploitation and social reproduction regimes continuous with, and shaped by, similar such regimes in the Global North.

Ahmed Kanna is associate professor of anthropology at University of the Pacific. He is the author of Dubai: The City as Corporation (2011, University of Minnesota Press), De-Exceptionalizing the Field (with Amelie Le Renard and Neha Vora, forthcoming, Cornell University Press), and articles in Cultural Anthropology, City, and Arab Studies Journal among others.

Date/Time

April 24, 2019 | 12:00 PM
Free and open to the public

Venue/Location

Humanities Building 1, Room 210
University of California, Santa Cruz

A photo of Professor Nidhi Mahajan, facing the camera and smiling.

May 1, 2019 — Nidhi Mahajan: “Moorings: Trade Networks and States in the Western Indian Ocean”

Sailing vessels or dhows have long connected different parts of the western Indian Ocean, transporting goods, and people across South Asia, the Middle East and East Africa. These dhows now function as an economy of arbitrage, servicing minor ports in times of conflict. This talk focuses on the contemporary dhow trade, centered in port cities such as Dubai and Sharjah that have “free trade” policies. I argue that these notions of free trade are entangled with war, conflict, and broader geopolitical concerns across the Indian Ocean region.

Nidhi Mahajan is an Assistant Professor in the Department of Anthropology at UCSC. She is also principal faculty in the Critical Race and Ethnic Studies Program. Her work examines how vernacular Indian Ocean trade networks articulate with regional and global circuits of capital.

Date/Time

May 1, 2019 | 12:00 PM
Free and open to the public

Venue/Location

Humanities Building 1, Room 210
University of California, Santa Cruz

A black and white photo of Professor Banu Bargu. She is looking to the right of the frame, and is standing in front of a brick wall.

May 8, 2019 — Banu Bargu: “Catching a Moving Train: Decolonizing Aleatory Materialism”

This paper analyzes Althusser’s proposal for an aleatory materialism through his engagement with historical materialism, and particularly with Marx on “primitive accumulation.” It identifies two different legacies of Marx’s reflections on the origins of capitalism and discusses how Althusser attempted to rework Marx to reach a non-teleological conception of history. At the same time, taking both thinkers to task on their approach to colonialism, and especially settler colonialism, the paper moves toward decolonizing the aleatory materialist imaginary.

Banu Bargu is associate professor of History of Consciousness at the University of California, Santa Cruz. She is a political theorist, with a focus on modern and contemporary political thought and critical theory. Bargu is the author of Starve and Immolate: The Politics of Human Weapons (Columbia UP, 2014), which received APSA’s First Book Prize given by the Foundations of Political Theory section and was named an Outstanding Academic Title by Choice. She is the editor of Turkey’s Necropolitical Laboratory: Democracy, Violence, and Resistance (Edinburgh UP, forthcoming in 2019) and co-editor of Feminism, Capitalism, and Critique (Palgrave, 2017). Her next book, Friends of the Earth: Althusser and the Critique of Teleological Reason, is forthcoming from Columbia University Press in 2020.

Date/Time

May 8, 2019 | 12:00 PM
Free and open to the public

Venue/Location

Humanities Building 1, Room 210
University of California, Santa Cruz

A photo of a mural depicting a man in profile.

May 15, 2019 — David Kazanjian: “‘I am he:’ Revising the Theory of Dispossession from Colonial Yucatán”

In this paper, Kazanjian examines a legal case involving an enslaved Afro-diasporan named Juan Patricio and a Mayan woman named Fabiana Pech from turn-of-the-eighteenth-century Yucatán. The case challenges a fundamental presupposition of many contemporary theories of dispossession: namely, that the dispossessed had prior possession over that which was stolen from them by their dispossessors. Like a number of other such cases Kazanjian has been examining from the 17th and 18th centuries, in this case those who were dispossessed do not make claims about prior possession. Rather, both Juan Patricio and Fabiana Pech seem to have lived dispossession outside the terms of possession as such, critiquing and countering their dispossession in ways that call for a revision of contemporary understandings of dispossession. Kazanjian suggests we read the archive of a case like this for alternative theories of dispossession as well as as-yet-unrealized anti-dispossessive politics.

David Kazanjian is Professor of English and Comparative Literature at the University of Pennsylvania. He received his PhD from the Rhetoric Department at the University of California, Berkeley, his M.A. in Critical Theory from the University of Sussex, and his B.A. in Modern Thought and Literature from Stanford University. His areas of specialization are transnational American literary and historical studies through the nineteenth century, Latin American studies (especially eighteenth and nineteenth-century Mexico), political philosophy, continental philosophy, colonial discourse studies, and Armenian diaspora studies. He is a member of the organizing collectives of the journal Social Text and of the Tepoztlán Institute for Transnational History of the Americas, and is co-director of the Tepoztlán Institute from 2017-2019. He is the author of The Colonizing Trick: National Culture and Imperial Citizenship in Early America (Minnesota) and The Brink of Freedom: Improvising Life in the Nineteenth-Century Atlantic World (Duke). He has co-edited (with David L. Eng) Loss: The Politics of Mourning (California), as well as (with Shay Brawn, Bonnie Dow, Lisa Maria Hogeland, Mary Klages, Deb Meem, and Rhonda Pettit) The Aunt Lute Anthology of U.S. Women Writers, Volume One: Seventeenth through Nineteenth Centuries (Aunt Lute Books). He is currently at work on two monographs. The first sets radical aesthetics in the contemporary Armenian diaspora against the diaspora’s melancholically nationalist understandings of genocide. The second finds anti-foundationalist critiques of dispossession in the late seventeenth and early eighteenth-century Afro-Indigenous Atlantic.

Date/Time

May 15, 2019 | 12:00 PM
Free and open to the public

Venue/Location

Humanities Building 1, Room 210
University of California, Santa Cruz

Co-sponsored by the Departments of Feminist Studies, History, Literature, Politics, the Program in Critical Race and Ethnic Studies, the Research Center for the Americas, and Associate Professor Gina Dent. 

An illustration featuring Don Quixote wearing armor and riding on a horse. His sidekick, Sancho Panza, rides a donkey next to him. Above his head is text in Arabic

May 22, 2019 — Shadi Rohana: “Cervantes and the Arabs: Don Quixote in Translation”

The modern Arab reader cannot be indifferent when reading a novel like Don Quixote. Through its geography, historical context, characters and language, the novel evokes to the modern reader one of the Arabs’ most splendorous historical episodes: Al Andalus. This talk traces the Arab and Andalusian presence in Cervantes’ Don Quixote from 1605, and how this presence was later translated into modern Arabic during the 20th century. The talk will also discuss the reception of Don Quixote in varios Arabic speaking contexts.

Shadi Rohana is a Mexico City-based literary translator, translating between Arabic, Spanish and English. He has introduced and translated a number of Latin American authors from Spanish to Arabic, as well as speeches and declarations from the EZLN in Chiapas. He pursued Latin American Studies in the United States (Swarthmore College) and Mexico (UNAM), and is currently a full-time faculty member at the Center for Asian and African Studies at El Colegio de México, where he teaches Arabic language and literature. The Arabic translation of José Emilio Pacheco’s Las batallas en el desierto (Palestine, 2016) was his first novel-length work.

Date/Time

May 22, 2019 | 12:00 PM
Free and open to the public

Venue/Location

Humanities Building 1, Room 210
University of California, Santa Cruz

Co-sponsored by the Humanities Institute