Reading revolutions through the prism of a concept of history that is not teleological or unilinear but is instead structured as a pluriverse of historical temporalities, this talk shows how different temporalities and semantic stratification of revolution are reactivated in historical revolutionary moments. From this perspective, the ancient notions of revolution and restoration are not erased but coexist as temporal stratifications. Tomba’s analysis is articulated through historical cases, from the German peasant war of 1525 to the Water War in Bolivia in 2000.

Massimiliano Tomba is the author of Krise und Kritik bei Bruno Bauer: Kategorien des Politischen im nachhegelschen Denken (2005); La vera politica: Kant e Benjamin: la possibilità della giustizia (2006); Marx’s Temporalities (2013); Attraverso la piccolo porta: Quattro studi su Walter Benjamin (Mimesis, 2017); and Insurgent Universality: An Alternative Legacy of Modernity (2019).

Date | Time
February 2, 2022 | 12:15 – 1:30 PM [PST]

RSVP by 11 AM on Wednesday, February 2nd; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

To RSVP for the entire Winter 2022 series, please fill out this form.

This project expands traditional oral history methodologies by recording the voices of farmers of the Brazilian Landless Workers Movement (MST) embedded in the soundscapes of the food forests they cultivate. The resulting situated multispecies voicescapes will be used in the creation of pedagogical material for students in rural schools and beyond.

Jorgge Menna Barreto, Ph.D. is a Brazilian artist and educator, whose practice and research have been dedicated to site-specific art for over 20 years. In 2014, he worked on a postdoctoral research project at Universidade do Estado de Santa Catarina, Brazil, where he collaborated with a biologist and an agronomist to study relations between site-specific art and agroecology, centring around agroforestry. In 2020 he completed a second postdoctoral research at Liverpool John Moores University, England, which led to the work presented at the Liverpool Biennial in 2021. Menna Barreto approaches site-specificity from a critical and South American perspective, having taught, lectured, and written on the subject. He has translated authors from English into Brazilian Portuguese, including Miwon Kwon, Rosalyn Deutsche, Hito Steyerl and Anna Tsing. Menna Barreto has participated in art residencies, projects and exhibitions worldwide. In 2016, he took part in the 32nd São Paulo Biennial with his award-winning project Restauro: a restaurant set up to work as a system of environmental restoration in collaboration with settlements of Brazil’s Landless Workers’ Movement [MST]. The project travelled to the Serpentine Galleries in London in 2017, where the artist worked with a wild edibles expert, a botanical illustrator and local organic growers. In 2020, as a resident at the Jan van Eyck Academie, Netherlands, he launched a periodical called Enzyme in collaboration with artist Joélson Buggilla. In Geneva, Switzerland, he has collaborated on the MFA in Socially Engaged Art at HEAD – Haute École d’Arts Appliqués, where he is working on a research project focused on ecopedagogy. In 2021, Menna Barreto joined the Art Department of University of California, Santa Cruz, where he is an Assistant Professor in Environmental Art.

Date | Time
February 9, 2022 | 12:15 – 1:30 PM [PST]

RSVP by 11 AM on Wednesday, October 13th; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

To RSVP for the entire Winter 2022 series, please fill out this form.

This talk explores A Natural Born Gambler (1916), a predominantly black-cast production featuring Caribbean American blackface superstar Bert Williams. By paying particular attention to film form and archival evidence, I reclaim the importance of Williams’s first Biograph comedy for moving image media projects that reflect on the production of racial difference and anti-blackness, and that critique the policing and incarceration of black men in the US. I argue that through its attention to modes of policing and strategies of avoiding detection, A Natural Born Gambler simultaneously interrogates the discursive production of black masculinity and the limits of black performativity.

Althea Wasow is a President’s Postdoctoral Fellow at the Institute of the Arts and Sciences at UCSC. Her current book project tentatively titled, Moving Images/Modern Policing: Silent Cinema and Its Afterlives, analyzes the ways in which the emerging institutions of modern policing and motion pictures corroborated and subverted each other’s projects in the late nineteenth and early twentieth centuries.

Date | Time
February 16, 2022 | 12:15 – 1:30 PM [PST]

Please note: this event will be entirely remote, with no in-person attendance.

RSVP by 11 AM on Wednesday, February 16th; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

To RSVP for the entire Winter 2022 series, please fill out this form.

Dubai and Singapore are emblematic of the contemporary global moment, embodying dizzying success, frenetic excess, spectacular crash. Are they global cities or port-states? Are they Asian nations or corporations descended from the East India Companies that became colonial governments? Their iconic status today as global cities is not simply a function of globalization, but can be understood in terms of dynamic currents that shape and reshape places in the Indian Ocean, the original Asian venue of an international economy. Dubai and Singapore are two tiny places that have seen success because they have understood those currents, and acted in accordance with changes in their dynamics. What are these dynamics – their constants over the long term, and their recent shifts?

Engseng Ho is a professor of Anthropology and History at Duke University. He is also the Muhammad Alagil Distinguished Visiting Professor of Arabia Asia Studies at the Asia Research Institute, National University of Singapore. He is a leading scholar of transnational anthropology, history and Muslim societies, Arab diasporas, and the Indian Ocean. His research expertise is in Arabia, coastal South Asia and maritime Southeast Asia, and he maintains active collaborations with scholars in these regions. He is co-editor of the Asian Connections book series at Cambridge University Press, and serves on the editorial boards of journals such as American Anthropologist, Comparative Studies in Society and History, History and Anthropology. He has previously worked as Professor of Anthropology, Harvard University; Senior Scholar, Harvard Academy for International and Area Studies; Country and Profile Writer, the Economist Group; International Economist, Government of Singapore Investment Corporation/Monetary Authority of Singapore; Director, Middle East Institute, National University of Singapore. He was educated at the Penang Free School, Stanford University, and the University of Chicago.

Date | Time
February 23, 2022| 12:15 – 1:30 PM [PST]

RSVP by 11 AM on Wednesday, February 23rd; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

Please note: this event will be entirely remote, with no in-person attendance.

To RSVP for the entire Winter 2022 series, please fill out this form.

This event is co-sponsored by SEACoast (Center for Southeast Asian Coastal Interactions)

Following the untimely death in 2019 of curator Okwui Enwezor, Mark Nash was charged with developing a platform for exploring the work of Enwezor’s Documenta11 (2002) for which Mark was a co-curator. This talk will present several related projects including the Platform 6 website. Vladimir Seput, who is visiting scholar at UCSC, is collaborating on the Platform 6 project and will also contribute to the presentation.

Mark Nash is a distinguished independent curator, film historian and filmmaker with a specialization in contemporary fine art moving image practices, avant-garde and world cinema. He is currently a professor at the University of California, Santa Cruz, where he founded the Isaac Julien Lab with his partner and long-time collaborator, Isaac Julien. Nash has taught at Birkbeck College, University of London; the Whitney Museum Independent Study Program; New York University; Harvard University; Nanyang Technological University of Singapore’s Centre for Contemporary Art; and the Royal College of Art in London. As a curator, Nash has collaborated with Isaac Julien on numerous film and art projects. He also collaborated regularly with the late Okwui Enwezor, including on Documenta11, on The Short Century: Independence and Liberation Movements in Africa, 1945–1994, and most recently on The Arena project at the Venice Biennial 2015 which featured an epic live reading of Karl Marx’s Das Kapital. In addition to his curatorial work, Nash edited and contributed a critical introduction to Red Africa: Affective Communities in the Cold War.

Date | Time
March 2, 2022 | 12:15 – 1:30 PM [PST]

RSVP by 11 AM on Wednesday, March 2nd; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

To RSVP for the entire Winter 2022 series, please fill out this form.

THE CENTER FOR CULTURAL STUDIES hosts a weekly Wednesday colloquium featuring work by faculty & visitors. 

We are pleased to announce our Winter 2022 Series. We have missed the intimacy, energy, and sense of community provided by gathering in person. However, we realize some of you may not be coming to campus regularly, and a number of challenges remain in holding in-person events on campus. To maximize accessibility for audience members, the CCS colloquium series will have a hybrid format, meaning that you will have the option of attending in person in Humanities 210 or remotely via Zoom. Those who attend in person must adhere to the campus mask mandate for all indoor activities and must complete a symptom-check form before coming to campus. To attend remotely via Zoom, please RSVP in advance and you will receive a Zoom link on the morning of the colloquium. Speakers will appear remotely so that they do not have to wear a mask when presenting.

Please RSVP to either all colloquia here or select the individual event you would like to RSVP for here on our website. The Zoom link will be circulated at 11:30 AM on the day of the colloquium. Please be online by 12:10 PM [PST] if you are attending remotely. Sessions begin promptly at 12:15 PM and end at 1:30 PM. Sessions will not be recorded.

January 12
Jean Beaman (UC Santa Barbara)
Suspect Citizenship

January 19
Caitlin Keliiaa (UCSC)
Occupational Risk: Sexual Surveillance and Federal Regulation of Native Women’s Bodies

January 26
Xavier Livermon (UCSC)
Safe Houses? Queerness, Performance, and the Land Question in South Africa

February 2
Massimiliano Tomba (UCSC)
Revolutions/Restorations

February 9
Jorgge Menna Barreto (UCSC)
Voicescapes for the Landless

February 16
Althea Wasow (UCSC)
Policing Blackness and Black Bodies in Bert Williams’s A Natural Born Gambler (1916)

February 23
Engseng Ho (Duke)
Dubai and Singapore: Asian Diasporics, Global Logistics, Company Rule

March 2
Mark Nash and Vladimir Seput
Documenta 11 revisited: Platform 6

Center for Cultural Studies Staff

Mayanthi Fernando & Marc Matera, co-Directors

Piper Milton, GSR (cult@ucsc.edu; Humanities 1, 428)

2021-2022 Advisory Board 

Gerald Casel (Theater Arts)

Yasmeen Daifallah (Politics)

Muriam Haleh Davis (History)

Gina Dent (Feminist Studies, History of Consciousness)

Nathaniel Deutsch (History)

Carla Freccero (History of Consciousness, Literature, Feminist Studies)

Deborah Gould (Sociology)

Peter Limbrick (Film & Digital Media)

Laurie Palmer (Art)

Savannah Shange (Anthropology)

Massimiliano Tomba (History of Consciousness)

This presentation looks at the trajectory of former Algerian Islamists belonging to the opposition movement Rachad, who denounce state exactions perpetrated during the civil war of the 1990s. In so doing, the talk focuses on the notion of “abject victimhood,” to think about the legal and political challenges faced by actors once associated with an Islamist insurgency. Moreover, it shows how the production of abjection and that of victimhood are both entangled and conflicting, as the former serves to restore state power, while the latter supports revolutionary claims. This discussion also questions the possibility of a genuine form of “post-Islamism” in a context characterized by the impunity of state actors and the impossibility for those associated with political Islam to escape the vilifying discourses associated with counter-terrorism. This event is co-sponsored by the Center for the Middle East and North Africa (CMENA) at UCSC.

Thomas Serres is an Assistant Professor in the Politics department at UCSC. His research spans the field of Middle Eastern studies, critical security studies and comparative politics, and combines an ethnographic approach with a conceptual apparatus inspired by critical theory. He is particularly interested in the effects of protracted and entangled crises (popular uprisings, “war on terror,” refugee crisis, neoliberalization) in North Africa and beyond. His first book, entitled The Suspended Disaster: Governance by Catastrophization in Bouteflika’s Algeria, studies Algerian politics as a system of governance based on the management of a seemingly never-ending crisis and the systematic endangerment of the political order. An updated and expanded version of this book is currently under contract with Columbia University Press, after the French version was published with Karthala in 2019. Thomas has also published articles in peer-reviewed journals such as Middle East Critique, Interdisciplinary Political Studies and L’Année du Maghreb. Lastly, he has also co-edited a volume entitled North Africa and the Making of Europe: Governance, Institutions, Culture, which was published by Bloomsbury Academic Publishing in 2018.

Date | Time
October 13, 2021 | 12:15 – 1:30 PM [PST]

RSVP by 11 AM on Wednesday, October 13th; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

To RSVP for the entire Fall 2021 series, please fill out this form.

The talk explores how Asian women became unassimilable in social work and public discourse in 1970s Britain. In the context of decolonization and deindustrialization, the Pakistani woman who worked for wages posed a threat to the stability of the white male working class. To keep the Pakistani woman at home, social workers created new forms of intervention into marriages, offered English language classes to mothers at day care centers, and extended the hand of friendship. From this perspective, multiculturalist policies created Asian women as non-workers who needed extensive social welfare intervention. In doing so, these policies reproduced the working class as male and white and the Asian woman as trapped by tradition.

Radhika Natarajan is assistant professor of history and humanities at Reed College in Portland, OR. Her research focuses on the remaking of imperial strategies of managing difference during decolonization. Her article “Performing Multiculturalism: the Commonwealth Arts Festival of 1965” appeared in the Journal of British Studies, and she has also written essays on the transcolonial routes of community development and British social work intervention into Asian marriages. She is writing a book, Empire and the Origins of Multiculturalism, which examines encounters between British social work and migrants from the decolonizing empire during the era of the welfare state.

Date | Time
October 20, 2021 | 12:15 – 1:30 PM [PST]

RSVP by 11 AM on Wednesday, October 20th; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

To RSVP for the entire Fall 2021 series, please fill out this form.

The concept of black ecologies underscores the undue impact of climate and environmental injustice on Black diaspora communities while lifting up “insurgent” Black ecological knowledge (Roane & Hosbey 2019). Join us for a virtual studio visit and conversation on art and black ecologies with independent scholar and artist Jennifer Steverson. Steverson uses indigo dye, textiles, and archives to highlight Black diaspora community and resilience practices created through art, craft, and agriculture. She will be in conversation with arts-based geographer Naya Jones (UCSC Sociology). This event is moderated by the UCSC Black Geographies Lab and is part of the growing Black Botany Studio.

 Jennifer Steverson (she/her/hers) is an independent scholar and multi media artist based in Central Texas. Her work is informed by the cultural ecologies of the African Diaspora, specifically by the way that Black people have crafted community and resilience practices through art, craft, and agriculture. She completed her undergraduate work at Eugene Lang College, a division of the New School and her masters degree in Community and Regional Planning at UT Austin. Jennifer was a Hive Collective Artist in Residence in 2019. In 2020, she completed a Texas Folklife Apprenticeship focused on quilting. She was a researcher on the Carver Museum’s African American Presence exhibit which opened in February 2020. Her work has appeared in the Rootwork Journal.

 Naya Jones (she/her/hers) is a UCSC Assistant Professor of Sociology and Core Faculty in the Global and Community Health Program. She is a geographer and cultural worker whose solo and collaborative work foregrounds Black geographies of health, ecologies, and healing in North and Latin America. She practices arts-based methods, from participatory film to ritual and botanical arts. Her current book and storytelling project focuses on African-American plant knowledge and the Great Migration. She initiated the Black Botany Studio, a research lab, to promote the study and art of black diaspora plant geographies.

Date | Time
October 27, 2021 | 12:15 – 1:30 PM [PST]

RSVP by 11 AM on Wednesday, October 27th; you will receive the Zoom link and password at 11:30 AM the day of the colloquium.

To RSVP for the entire Fall 2021 series, please fill out this form.