March 8, 2001 – Rebecca Solnit: "Annihilating Time and Space: Some Notes on Place, Pace and Technology"

Thursday, March 8 | Oakes Mural Room | 4:00PM

 

This talk with slides draws on Rebecca Solnit’s current book in progress, which traces the genesis of the Hollywood film industry and of Silicon Valley through an examination of transformations in the technologies of everyday life dating from the 1870s. The talk also draws on her two most recently published books, Wanderlust: A History of Walking (Viking, 2000), and Hollow City: The Siege of San Francisco and the Crisis of American Urbanism (Verso, 2000). At the center of all three books is a concern with pace in contemporary life: the acceleration of everyday life through technology, the rhetoric celebrating efficiency and convenience as ultimate ideals, and with the pace at which place is experienced or obliterated. Solnit’s current project examines phenomena ranging from the completion of the transcontinental railroad in 1869 to Richard Misrach’s photographs of race cars in the Bonneville Salt Flats– where the world’s speed records were set– to the spread of Starbucks and pedestrian fatalities in contemporary San Francisco.

Rebecca Solnit is a writer, art critic, museum exhibition curator, and political activist. She won wide acclaim and recognition for her 1994 book, Savage Dreams : A Journey into the Landscape Wars of the American West (Vintage). Centering on counter-histories of Yosemite National Park and the landscape of Nevada’s nuclear test sites, Savage Dreams is a destabilizing and demystifying intervention into the tragic and romantic mythopoetics of place in the American West. Her 1997 A Book of Migrations: Some Passages in Ireland (Verso) is a travel narrative which navigates through ideas about remembering and forgetting, identity and landscape, and patterns of movement, from colonialism to tourism and nomadism. Her recently published Wanderlust, Solnit writes, is a history of “walking as a cultural activity, from the peripatetic philosophers of ancient Greece to the contemporary paleontological arguments about bipedal evolution, from an aesthetic pleasure in eighteenth-century England to the growth of politically active walking clubs at the turn of the century and the birth of the outdoor industry and climbing gyms, as well as histories of the rise and fall of urban walking as a pleasure, pedestrian uprisings, and the gender politics of public space.” Hollow City combines text by Solnit with photo essays by photographer Susan Schwartzenberg, and traces the devastation that has come in the wake of San Francisco’s dot-com fueled gentrification: skyrocketing residential and commercial rents that are driving out artists, activists, and the poor, the homogenization of the city’s appearance, industries and population, the decay of public life and the erasure of the sites of civic memory.

 

Winter 2001 Colloquium Series

Colloquium Series
In winter 2001, the Center for Cultural Studies will continue to host a Wednesday colloquium series, which features current cultural studies work by campus faculty and visitors. The sessions are informal, normally consisting of a 30-40 minute presentation followed by discussion. We gather at noon, with presentations beginning at 12:15. Participants are encouraged to bring their own lunches; the Center will provide coffee, tea, and cookies. 

 

ScheduleALL COLLOQUIA ARE IN THE OAKES MURAL ROOMJanuary 10
Earl Jackson
(Literature, UC Santa Cruz )
Toward a Post-Wave East Asian Cinema
 

January 17
Wlad Godzich
(Dean of Humanities, UC Santa Cruz)
Reconstructing the Subject 
 

January 27
Margaret Jolly
(Gender Relations Centre, Research School of Pacific and Asian Studies, Australian National University)
Looking Back? Gender, Race and Sexuality in Pacific Cinema 
 

January 31
Dana Frank
(American Studies, UC Santa Cruz)
GIRL STRIKERS OCCUPY CHAIN STORE, WIN BIG: the Detroit Woolworth’s Sit-Down Strike
 

February 7 
Ann Saetnan
(Sociology and Political Science, Norweigan University of Science and Technology)
Elicited Whispers, Broken Sound Barriers 
 

February 14
Rob Wilson
(Literature, UC Santa Cruz)
Global/local rumblings inside Empire: Gladiator and sublime spectacle
 

February 21
Marcial Gonzalez
(English, UC Berkeley )
Fredric Jameson’s Arrested Dialectic and the ‘Absent First Step of Renewed Praxis’
 

February 28
Alexandra Stern
(History, UC Santa Cruz)
Modern Racial Formations: Interrogating the History of Eugenics in California 
 

March 7
Renya Ramirez
(American Studies, UC Santa Cruz)
Sarah Morgan’s Government Story: A Redefinition of Culture, Community and Citizenship 
 

Participants

Earl Jackson is Associate Professor of Literature at UCSC. His research interests include new Asian cinema, science fiction, suspense, and genre fiction, gay male sexuality, digital media, and Japanese literature and poetics. He has published poetry, fiction, and many articles, and is involved in numerous web-based critical and literary activities. His books include Fantastic Living: The Speculative Autobiographies of Samuel Delany(forthcoming, Oxford) and Strategies of Deviance: Essays in Gay Male Representational Agency(Indiana, 1994). His web projects can be found at www.letsdeviant.com and www.anotherscene.com. Professor Jackson’s talk is from a current project on New Asian cinema.

Wlad Godzich is Dean of Humanities at UCSC, having recently arrived from the University of Geneva, where he was Professor of English and Chair of Emergent Literature. He is the author of numerous books and articles, including The Culture of Literacy(Harvard, 1994), Philosophie einer un-europ�ischen Literaturkritik(Philosophy of a Non-European Literary Criticism, Wilhelm Fink, 1988), and An Essay in Prosaics: The Emergence of Prose in the French Middle Ages(co-authored with Jeffrey Kittay, Minnesota, 1987). Dean Godzich’s current research interests include theories and modes of subjectivity, globalization and culture, and the field he founded: emergent literature.

Dana Frank is a Professor of American Studies at UCSC, where she teaches labor history, political economy, race, gender, and the cultural politics of class. She is the author of Buy American: The Untold Story of Economic Nationalism(Beacon Press, 1999), which was excerpted in the Washington Postand won the Book of the Year Award from the International Labor History Association. She is also the author of Purchasing Power: Consumer Organizing, Gender and the Seattle Labor Movement, 1919-1929(Cambridge, 1994), and reviews books regularly for The Nation. Her current project, on the Detroit Woolworth’s sit-down strike of 1937, is part of a forthcoming book with Robin D. G. Kelley and Howard Zinn, in which each author tells the story of a different strike.

Margaret Jolly is Professor and Head of the Gender Relations Project at the Research School of Pacific and Asian Studies at the Australian National University. She has been at ANU since 1989. One of the world’s distinguished scholars of Pacific Island anthropology and cultural studies, Professor Jolly has published a wide-ranging series of books and articles, including Women of the Place: Kastom, Colonialism and Gender in Vanuatu (1994). A recent manuscript, An Ocean of Difference: Colonialisms, Maternalisms, and Feminisms in the Pacific, is under review. While at the Center, Professor Jolly will pursue research on gender, indigeneity, and diaspora in the Pacific with a particular emphasis on cinema and the visual arts.

Ann Saetnan is Associate Professor in the Department of Sociology and Political Science at the Norwegian University of Science and Technology in Trondheim, Norway. Her research focuses on science and technology as they relate to gender and to work. Her co-edited volume, Localizing and Globalizing Reproductive Technologies,was just published by Ohio State University Press. While at the Center, Professor Saetnan will work on her new book project, provisionally titled Ultrasonic Discourse,a mapping of the debates surrounding the use of ultrasound in pregnancy in Norway.

Rob Wilson joins the UCSC faculty this quarter as Professor of Literature, after having been a faculty member at the University of Hawaii at Manoa since 1976. He is one of the world�s most prominent scholars of Hawaiian and Pacific literatures and cultural production, as well as of American literature and poetics. His books include Reimagining the American Pacific: From �South Pacific� to Bamboo Ridge and Beyond(Duke, 2000), American Sublime: The Genealogy of a Poetic Genre(Wisconsin, 1991), as well as the co-edited volumes Inside Out: Literature, Cultural Politics and Identity in the New Pacific(Rowman and Littlefield, 1999) and Global/Local: Cultural Production in the Transnational Imaginary.

Marcial Gonzalez received his Ph.D. in Modern Thought and Literature from Stanford University in 2000, and became an Assistant Professor in the English Department at UC Berkeley in the fall of 2000. He works on Chicana/o literary and cultural studies, and is currently working on a book manuscript titled Postmodernism, History and the Chicana/o Novel: Toward a Dialectical Literary Criticism,a study of several important Chicana/o novels published from 1970-1992, which includes an argument that the postmodern critique of history has limited the potential for Chicana/o studies to develop an effective social criticism. An earlier version of his talk this quarter won the Michael Sprinker Award for best dissertation chapter from the Marxist Literary Group of the MLA in June 2000.

Alexandra Stern is Assistant Professor of History at UCSC, having completed her Ph.D. in History at the University of Chicago in 1999. From 1999-2000 she was interim director of the Historical Center for Health Sciences at the University of Michigan. Her work is on the history of science and technology, specifically eugenics. Recent articles include “Buildings, Boundaries, and Blood: Medicalization and Nation-Building on the U.S.-Mexico Border, 1910-1930” (Hispanic American Historical Review, Feb. 1999) and “Responsible Mothers and Normal Children: Eugenics, Welfare, and Nationalism in Post-Revolutionary Mexico, 1900-1940” (Journal of Historical Sociology,Fall 1999). Her talk is from a book in progress on eugenics and the U.S.-Mexican borderland.

Renya Ramirez is Assistant Professor of American Studies. She received her Ph.D. from the School of Education at Stanford University in 1999, and her Masters degree in Anthropology from Stanford in 1998. She has published several articles and given many papers on contemporary Native American issues, several of which draw on her fieldwork, which explored Native American healing practices and community formation in San Jose, California. Among the articles is “Healing Through Grief: Urban Indians Re-imagining Culture and Community in San Jose, California” (Journal of American Indian Culture and Research,1999). Her work is part of an attempt to establish new frameworks for the study of urban Indians.

February 8, 2001 – Sheldon Pollock: "Cosmopolitanism and the Vernacular"

Thursday, February 8| Oakes Mural Room | 4:00 PM

Reading:“Cosmopolitan and Vernacular in History,” from Public Culture 12.3 (2000)

Sheldon Pollock is George V. Bobrinskoy Professor of Sanskrit and Indic Studies at the University of Chicago. His work over the past ten years has sought to illuminate the relationship between culture and polity in precapitalist South Asia. His nearly complete book on this subject–The Language of the Gods in the World of Men: Sanskrit and Power in India to 1500— is forthcoming from UC Press. These same concerns motivated a seven-year collaborative research project Professor Pollock just concluded with seventeen scholars from India, Europe, and the US on Literary Cultures in History (in press). His next project addresses the state of Indian learning on the threshold of western modernity; the first component is a small cooperative initiative among eight scholars from Europe and the US called Sanskrit Knowledge Systems on the Eve of Colonialism(1550-1750), and is expected to run from 2001-2004. Professor Pollock’s work on Indian literary and vernacular cultures s is central to an understanding of global literacy and vernacularization, and has been of great importance to scholars both within and without South Asian Studies.

 

February 1-2, 2001 – Kuan-hsing Chen: Lecture & Seminar

Lecture:
Club 51: On the Question of the Culture of U.S. Imperialism
Thursday, February 1/ 4:00PM/ Oakes Mural Room

Seminar:
Inter-Asia Cultural Studies: Politics and Prospects
Friday, February 2/ 10:00AM-12:00PM/ Oakes Mural Room

Seminar Reading: Editorial Statement from the inaugural issue of Inter-Asia Cultural Studies: Movements.
Copies of the readings are available to the UCSC community at the Center for Cultural Studies office or may be requested via email cult@hum.ucsc.edu). Please make email requests at least one week in advance.

Kuan-hsing Chen is Professor in the Department of Foreign Languages and Coordinator of the Center for Asia-Pacific/Cultural Studies at National Tsing-Hua University in Taiwan. He held previous appointments at City University of New York and UC Berkeley, and is founding editor of Inter-Asia Cultural Studies: Movements, a Routledge journal that began publication in 1999. His publications, in English and Chinese, consist of work in cultural studies, including a volume on Stuart Hall, and on imperialism and postcolonial criticism. His recent edited volume, Trajectories: Cultural Studies Inter-Asia(Routledge, 2000, in English and Chinese), has contributed to the reshaping of cultural study in East Asia, and has created important common ground for scholars from Taiwan, Hong Kong, Singapore, Thailand, China, Australia, the US, and elsewhere in the Asia Pacific region. Kuan-hsing Chen’s work has treated subjects as diverse as karaoke, Taiwanese new cinema, Samuel Huntington’s civilizationalist work, and new Taiwanese subjectivity. Forthcoming books include Intellectual Moods and Geo-Colonial Sites: Cultural Studies from the Postmodern to Decolonization(in press in Chinese), and The Imperialist Eye: The Decolonization Question.

Kuan-hsing Chen’s talk stems from his work on Taiwanese nation formation and US imperialism. “Club 51” refers to a bizarre Taiwanese political organization advocating US statehood for Taiwan. Chen’s analysis suggests that the Club 51 phenomenon represents what is in fact a new politics of place in the global era, whose significance goes beyond issues of PRC-Taiwanese relations. For his seminar, Chen will discuss the Inter-Asia Cultural Studies project. This will be of particular interest to local scholars who may want to participate in the journal’s activities, which include conferences, special issues, and colloquia. Chen and his colleagues founded the journal at what they considered a crucial moment in Asian cultural politics.

Since the 1980’s, a pervasive rhetoric of the ‘rise of Asia’ has come to mean more than the concentrated flow of capital into and out of the region. It has come to constitute a structure of feeling that is ubiquitous yet ambiguously felt throughout Asia. Historically, this feeling of the ‘rise of Asia’ is complicated by the region’s colonial past. While Asia’s political, cultural and economic position in the global system will continue to fluctuate, there is a need to question and critique the rhetorical unities of both the ‘rise’ and of ‘Asia’…On the other hand, no matter whether there are common experiences shared by sub-regional histories, there is an urgent need for forging political links across these sub-regions. Hence, ‘Inter-Asia’ cultural studies. 

 

January 29-30, 2001 – Marjorie Garber: Lecture & Seminar

Lecture
Hamlet and Cultural Criticism
Monday, January 29
Music Center Recital Hall
7:00 PM


This is the 2000-2001 Undergraduate Distinguished Lecture in Literary Studies.
For more information about this event, please contact the Literature Department, 459-4778

Seminar
Historical Correctness: The Use and Abuse of History for Literature
Tuesday, January 30
4:00 pm-6:00 pm
Cowell Conference Room


Faculty and graduate students welcome. A paper will be circulated in advance for reading and discussion. For more information or to receive a copy of the reading, please contact Katy Elliott, cult@hum.ucsc.edu; 459-4899 by Friday, January 19. Papers available only to the UCSC community.

Professor Marjorie Garber is William R. Kenan, Jr. Professor of English at Harvard University and Director of the Humanities Center in the Faculty of Arts and Sciences. She is the author of three books on Shakespeare (Dream in Shakespeare: From Metaphor to Metamorphosis[Yale University Press, 1974], Coming of Age in Shakespeare[Methuen, 1981], Shakespeare’s Ghost Writers: Literature as Uncanny Causality[Methuen, 1987]); and a number of books of cultural criticism and theory: Vested Interests: Cross-Dressing and Cultural Anxiety(Routledge, 1992); Vice Versa: Bisexuality and the Eroticism of Everyday Life(Simon & Schuster,1995); Dog Love(Simon & Schuster,1996); Symptoms of Culture(Routledge, 1998); Sex and Real Estate: Why We Love Houses(Pantheon, 2000); and, most recently, Academic Instincts(Princeton, 2001). The general editor of the CultureWorks series, she has co-edited several collections of essays on cultural studies topics, including Media Spectacles;Secret Agents: The Rosenberg Case, McCarthyism, and Fifties America;Field Work;One Nation Under God? Religion and American Culture; and The Turn to Ethics.

These combined events are sponsored by the Literature Department, the Humanities Division, the Institute for Humanities Research, and the Center for Cultural Studies.

January 27, 2001 – Figure and Trope: A Discussion

Saturday, January 27 | Oakes Mural Room | 10:00 AM

 

In the first of what we hope will be an ongoing activity, the Center is sponsoring an informal faculty discussion on an issue of concern. This event is coordinated by Professor Hayden White, who writes:

I have noticed that many people use the terms “figure” and “trope” as synonyms. Usage supports this practice, although the history of both rhetoric and poetics shows that the terms have different technical meanings. Figure is of course derived from the Latin figura while trope derives from Greek tropos. But the Latin figura is not a proper translation of Greek tropos.  Figura translates Greek schema, while tropostranslates (late) Latin modus. So the synonymy confuses “image” (as in “the image of the hero” or “the image of the abject”) with “mode” (as in “the heroic mode” or “the mode of abjection”). Does the difference matter? And if so, why?

The discussion will begin with a few brief presentations, totaling 30 minutes or so, followed by general discussion. Cultural Studies will provide lunch for all participants who RSVP.

To reserve a lunch contact Katy Elliott at cult@hum.ucsc.edu
Those interested in making a presentation should contact Hayden White at HWhite2736@aol.com

 

November 17, 2000 – Franco Moretti: Lecture & Seminar

Seminar
The Space of the Novel & World Literature
Friday, November 17
Oakes Mural Room
12:00-2:00 PM

Lecture
On Bourgeois Seriousness
Friday November 17
Oakes Mural Room
4:00 PM

Seminar Reading: Atlas of the European Novel, pp. 164-197 (from Chapter 3, “Narrative Markets ca. 1850”) and “Conjectures on World Literature,” New Left Review 1 (Jan/Feb 2000): 54-68.

Copies of the reading are available for UCSC faculty and students at the Center office or may be requested by email (cult@hum.ucsc.edu). Please make email requests at least one week in advance.

The 1983 appearance of the essay collection Signs Taken for Wonders(Verso) established Franco Moretti as an original and paradigm-shifting voice in the study of literature and the social. Subjecting a wide range of literature–James Joyce, T.S. Eliot, Shakespearean tragedy, boys’ tear-jerker novels, Arthur Conan Doyle–to analysis simultaneously historical and rhetorical, Moretti opened up the field of literary history along lines begun by Georg Lukacs, Lucien Goldmann, Walter Benjamin, and Teodor Adorno, among others. Next came The Way of the World: The Bildungsroman in European Culture(Verso, 1987), an analysis of what Moretti posited as the primary literary medium of bourgeois socialization. Modern Epic: The World System from Goethe to Garcia Marquez(Verso, 1995) provided a new analytical framework where formal and generic breakthrough is read coterminously with capitalist world hegemony–for a consideration of those monuments of European modernity: FaustThe Ring, and Ulysses. With Atlas of the European Novel 1800-1900(Verso, 1998), Moretti has re-invented the field of literary geography. In one hundred maps, Moretti charts not only the literary geography of modernity, but the role of literature in shaping the spatial and geographical imagination at micro-and macro-levels of analysis. The seminar will center on the geographical project, and will include in the introductory remarks some of Moretti’s new work on the geography of film. The talk, “On Bourgeois Seriousness,” is part of Moretti’s ongoing research on the figure of the bourgeois in European literature and social theory. Franco Moretti taught for many years in English and Comparative Literature at Columbia University, and has recently become Professor of English at Stanford University, where he also directs the Center for the Study of the Novel.

November 9, 2000 – Ali Mirsepassi: "Beyond Modernization: Postcolonial Visions and Alternative Modernities"

Thursday, November 9 | Oakes Mural Room | 4:00 PM

 

Ali Mirsepassi is currently directing a Five-College project on Alternative Modernities sponsored by the Ford Foundation, which is also the topic of his current book project. He is the author of Intellectual Discourse and Politics of Modernization: Negotiating Modernity in Iran(Cambridge, 2000), and has co-edited Local Knowledge in a Globalizing World: Rethinking Area Studies(forthcoming, Syracuse). He has published in journals such as Social TextRadical History, and Contemporary Sociology. This seminar is organized by the Civilizational Thinking Research Cluster, whose activities are funded in part by the Ford Foundation. The seminar paper will be circulated in advance to regular participants; for others interested in attending, copies of the seminar readings are available for UCSC faculty and students at the Center office or may be requested by email cult@hum.ucsc.edu. Please make email requests at least one week in advance.

 

October 27, 2000 – Saskia Sassen: "De-nationalized States and the New Geography of Power"

Friday, October 27 | Oakes Mural Room | 4:00 PM

 

Saskia Sassen is Professor of Sociology at the University of Chicago. In addition to numerous articles and book chapters, her publications include: The Global City (Princeton, 1991); Globalization and Its Discontents: Essays on the New Mobility of People and Money(New Press, 1998); and Guests and Aliens(New Press, 1999). This seminar is organized by the Civilizational Thinking Research Cluster, whose activities are funded in part by the Ford Foundation. The seminar paper will be circulated in advance to regular participants; for others interested in attending, copies of the seminar readings are available at the Center office or may be requested by email cult@hum.ucsc.edu. Please make email requests at least one week in advance.

 

October 9, 2000 – Matthew Coolidge: "Interpreting "Anthropogeomorphology""

Monday, October 9 | Oakes 109 | 4:30 PM

Matthew Coolidge has been Director of Programming at the Center for Land Use and Interpretation (see the website at www.clui.org) since 1994. The Center’s projects combine perspectives drawn from geography, installation and conceptual art, tourism, and political economy, and have centered on landscape perception, unusual and undernoticed places, and touristic practices. Coolidge has lectured widely on contemporary landscape matters, and has studied human-induced changes to the landscape professionally since joining the CLUI in 1994. Among the exhibits that he has curated are “Hinterland” (Los Angeles Contemporary Exhibitions 1997), “Commonwealth of Technology” (at the List Center for Visual Arts, MIT, 1999), and “The Nellis Range Complex: Landscape of Conjecture” (at CLUI Los Angeles, 1999). He is the author of several books published by the CLUI, including The Nevada Test Site: A Guide to the Nation’s Nuclear Proving Ground; Around Wendover: An Examination of the Anthropic Landscape of the Great Salt Lake Desert Region; and Route 58: A Cross-Section of Southern California. His talk and slide show will introduce the Center’s current projects and activities, including the ongoing work on environmental art in decay.